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Custom strainers or inner panelings that are fit to the painting and secured with screws, therefore offering strength to the painting and allowing hanging devices to be attached without damaging a painting. [24] Cradling – Cradling refers to the addition of wooden supports or frames on the back of paintings. These slats require flexibility to ...
Mummy portrait of a girl, AD 120–150, Roman Egypt, wax encaustic painting on sycamore wood. Encaustic is a method of painting that involves dry pigments mixed with hot beeswax, then applied to the surface of a support such as wood or canvas. A completed painting is then finished by taking a source of heat to reheat the surface and fuse it ...
Example of a cradled panel, mounted on the back of a painting by Aert van der Neer. Example of an oak panel in its original state, the back of a Jan Davidsz. de Heem still life. Cradling is a process used in the restoration and preservation of paintings on wooden panel .
Often, the wood's color is changed by staining, bleaching, or any of a number of other techniques. Once the wood surface is prepared and stained, the finish is applied. It usually consists of several coats of wax, shellac, drying oil, lacquer, varnish, or paint, and each coat is typically followed by sanding.
It has now been largely superseded by improved methods of wood conservation. [2] The practice evolved in Naples and Cremona in 1711–1725 and reached France by the middle of the 18th century. [3] It was especially widely practiced in the second half of the 19th century. Similar techniques are used to transfer frescos.
Consolidation can also refer to the treatment of painted wood surfaces. Because of the complicated nature of wood as a material, consolidation of paint on a wooden artifact must be carefully undertaken. As wood expands and contracts with fluctuations in temperature and humidity, damages can occur to paint on the wood's surface.
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A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall ( fresco ) or on vellum (used for miniatures in illuminated manuscripts ).
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