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Jean-Paul Marat (UK: / ˈmærɑː /, US: / məˈrɑː /, [1][2] French: [ʒɑ̃pɔl maʁa]; born Mara; 24 May 1743 – 13 July 1793) was a French political theorist, physician, and scientist. [3] A journalist and politician during the French Revolution, he was a vigorous defender of the sans-culottes, a radical voice, and published his views in ...
The Death of Marat (French: La Mort de Marat or Marat Assassiné) is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. [1] One of the most famous images from the era of the French Revolution, it was painted when David was the leading French Neoclassical painter, a ...
Marie-Anne Charlotte de Corday d'Armont (27 July 1768 – 17 July 1793), known simply as Charlotte Corday (French: [kɔʁdɛ]), was a figure of the French Revolution who assassinated revolutionary and Jacobin leader Jean-Paul Marat on 13 July 1793. Born in Normandy to a minor aristocratic family, Corday was a resident of Caen and a sympathiser ...
Le triomphe de Marat, Louis-Léopold Boilly, 1794. On 5 April, the Jacobins, presided over by Jean-Paul Marat, sent a circular letter to popular societies in the provinces inviting them to ask for the recall and dismissal of those députés who had voted that the decision to execute the King be referred back to the people. This move targeted ...
The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade, usually shortened to Marat/Sade (pronounced [ma.ʁa.sad]), is a 1967 British film adaptation of Peter Weiss ' play Marat/Sade. The screen adaptation is directed by Peter Brook, and originated in ...
At some point to find work Simonne moved to a shared residence at 243 St. Honoré Street Paris with her two sisters, Etiennette Évrard (b.1766), and Catherine Évrard (b.1769), whose husband, Jean Antoine Corne, was a typographer at L'Ami du peuple, newspaper of Jean-Paul Marat. [3]
Charlotte Corday held Jean-Paul Marat responsible, while Madame Roland blamed Georges Danton. [19] [20] Danton was also accused by later French historians Adolphe Thiers, Alphonse de Lamartine, Jules Michelet, Louis Blanc and Edgar Quinet of doing nothing to stop them. [21]
The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (German: Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade), usually shortened to Marat/Sade (pronounced), is a 1963 play by Peter Weiss.