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Goo is the sixth full-length studio album by American alternative rock band Sonic Youth, released on June 26, 1990, by DGC Records.For this album, the band sought to expand upon its trademark alternating guitar arrangements and the layered sound of their previous album Daydream Nation (1988) with songwriting that was more topical than past works, exploring themes of female empowerment and pop ...
Editors at AllMusic rated this album 4.5 out of 5 stars, with critic Heather Phares writing that the band's "chemistry on Live in Brooklyn 2011 is as electrifying as ever" and "on every song, there's a fire and liberation in Sonic Youth's playing that shows, despite the tension within the band at the time, they could still come together to make ...
The Destroyed Room: B-sides and Rarities is a compilation album by Sonic Youth. This album contains tracks previously only available on vinyl, limited-release compilations, imports and B-sides to international singles. The tracks, which also include unreleased material, were hand-picked by the band. The album was released on December 12, 2006.
Review scores; Source Rating; AllMusic [1] Blender [2] Made in USA is an album by Sonic Youth, containing music the band scored for the 1987 film of the same name.
Sonic Youth was an American rock band formed in New York City in 1981. Founding members Kim Gordon (bass, vocals, guitar), Thurston Moore (guitar, vocals) and Lee Ranaldo (guitar, vocals) remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, rounding out the core line-up.
The discography of American rock band Sonic Youth comprises 15 studio albums, seven extended plays, three compilation albums, seven video releases, 21 singles, 46 music videos, ten releases in the Sonic Youth Recordings series, eight official bootlegs, and contributions to 16 soundtracks and other compilations.
Sonic Youth has received a mixed reception from critics.. In his review of the 2006 reissue, Brandon Stosuy of Pitchfork gave the EP a grade of 8.2 out of 10, calling it "obviously more primitive than the quartet's later work [...] the recordings offer a ghostly, mesmerizing locked groove" and that "this is SY at their most icy; it's an erudite, windswept set, wrapping distortion inside ...
The A.V. Club gave it a favorable review and said the album "doesn't mark an epochal moment for Sonic Youth, but its familiar nods and new ingredients--from Steve Shelley's occasionally near-funky drumming to O'Rourke's tingly laptop textures--stake out another high point for a band achieving self-realization by reconciling self-absorption with ...
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