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Adolf Franz Karl Viktor Maria Loos [1] (German pronunciation: [ˈaːdɔlf ˈloːs]; 10 December 1870 – 23 August 1933) was an Austrian and Czechoslovak architect, influential European theorist, and a polemicist of modern architecture.
Adolf Loos and Rudolf Ganz defended Webern. A London Daily Telegraph reporter wrote, "I never saw an angrier man" of Webern's taking the stage amid the fray, "as if he were going to kill". The Quartet was able to play the music in full to an invitation-only audience the next day.
He took as one of his examples the tattooing of the "Papuan" and the intense surface decorations of the objects about him—Loos says that, in the eyes of western culture, the Papuan has not evolved to the moral and civilized circumstances of modern man, who, should he tattoo himself, would either be considered a criminal or a degenerate. [4] [5]
[8] [9] The winners of the biennial Adolf Loos Staatspreis Design are exhibited there. [10] [failed verification] In 2022, Rudolf Klingohr produced a TV documentary "Das Looshaus - Die Rettung eines Baujuwels" (The Looshaus - The Rescue of an Architectural Jewel), which once again summarised the history of the conversion in detail. [11]
Maison Tzara, designed by Adolf Loos. Tzara continued to write, becoming more seriously interested in the theater. In 1924, he published and staged the play Handkerchief of Clouds, which was soon included in the repertoire of Serge Diaghilev's Ballets Russes. [121] He also collected his earlier Dada texts as the Seven Dada Manifestos.
Werner Busch, Adolph Menzel: The Quest for Reality (Los Angeles: Getty Research Institute, 2017), pp. 65, 139–145. Gabriele Busch-Salmen, “Adolf Menzels Flötenkonzert Friedrichs des Großen in Sanssouci: Ein vertrautes Gemälde, 150 Jahre nach seiner Fertigstellung neu gesehen”, Music in Art: International Journal for Music Iconography, 28, nos. 1–2 (Spring–Fall 2003), pp. 127–146.
Google went to appeals court Monday in an attempt to convince a three-judge panel to overturn a jury's verdict declaring its app store for Android smartphones as an illegal monopoly and block the ...
Altmann's debut concert was in 1919. Later that year she became the second wife of modernist architect Adolf Loos, who was 29 years older than her. [1] Elsie Altmann starred as Lisa in the original production of Emmerich Kálmán’s operetta Gräfin Mariza at Theater an der Wien in 1924.