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The romances, scored for violin and piano, are written in three movements: Andante molto; Allegretto; Leidenschaftlich schnell; The first romance has Romani-inspired pathos amidst lyrical melodies. [5] In the final section, Schumann references the main theme from her husband Robert Schumann's first violin sonata. [6]
From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score. The score image in the background was taken from the beginning of the first printed book of music, the Harmonice Musices Odhecaton. It was published in Venice, Italy in 1501 by Ottaviano Petrucci, the library's namesake. [5] [non-primary source needed]
The Netflix limited series adaptation of the Alice Feeney novel “His & Hers” has added four new cast members. Crystal Fox, Sunita Mani, and Rebecca Rittenhouse have joined as series regulars ...
1 Music. 2 Films. 3 Literature. 4 ... Download as PDF; Printable version; In other projects ... move to sidebar hide. His and Hers or His & Hers may refer to : Music ...
Hubay was trained in violin and music by his father, Karl Huber (Károly Huber, later Károly Hubay ) from Varjas (Romanian: Variaș), concertmaster of the Hungarian Royal Opera House and a teacher at the Budapest College of Music. His mother was of Italian descent. He gave his début public performance playing a concerto at the age of eleven ...
Josephine Augusta Trott (December 24, 1874 - March 2, 1950) was an American author, composer, and music educator who sometimes wrote under the pseudonym Colin Shepherd. [1] Her violin pedagogy books are still in use today. [2] Trott was born in Wilmington, Illinois, to Dr. Stenson E. and Augusta J. Trott. [3]
In his study of the composer's music, Michael Kennedy comments that The Lark Ascending is a unique work, but often underrated "possibly because its very simplicity is deceptive". [31] The critic Paul Conway writes that it "depicts a pastoral scene with the violin imitating the titular songbird and the orchestra … representing the landscape ...
It was during his trips, including a supposed trip to America during the 1920s, that Henley gathered information for his book. [3] Australian violin maker Alan Coggins and regular contributor to The Strad wrote an article in 2003 challenging the objectivity of Woodcock's editing, given, among other things, unsourced and possibly inflated ...