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Machen's popularity in 1920s America has been noted, and his work was an influence on the development of the pulp horror found in magazines like Weird Tales and on such notable fantasy writers as James Branch Cabell, Clark Ashton Smith, Robert E. Howard, [17] Frank Belknap Long (who wrote a tribute to Machen in verse, "On Reading Arthur Machen ...
The Great God Pan is an 1894 horror and fantasy novella by Welsh writer Arthur Machen. Machen was inspired to write The Great God Pan by his experiences at the ruins of a pagan temple in Wales. What would become the first chapter of the novella was published in the newspaper The Whirlwind in 1890
Pages in category "Works by Arthur Machen" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. G. The Great God Pan;
"The White People" is a horror short story by Welsh author Arthur Machen. Written in the late 1890s, it was first published in 1904 in Horlick's Magazine, edited by Machen's friend A. E. Waite, then reprinted in Machen's collection The House of Souls (1906).
Paul Revere Dick (January 7, 1938 – October 4, 2014) [1] was an American musician, best known for being the leader, keyboardist and (by dropping his last name to create the stage name) namesake of Paul Revere & the Raiders.
Machen drew copiously on his own early years in Wales and London, and the book as a whole is an exploration through imagination of a potential fate which he personally avoided. One of the first explorations in fiction of the figure of the doomed artist, who is biographically so much a part of the decadent 1890s.
"Kicks" is a song composed by Barry Mann and Cynthia Weil, best known as a 1966 hit for American rock band Paul Revere & the Raiders. Mann and Weill wrote the song for the Animals, but the band's lead singer Eric Burdon turned it down. [3] Instead, Paul Revere & the Raiders recorded and released it as a single in 1966.
Hard 'N' Heavy (with Marshmallow) is the tenth studio album by Paul Revere and the Raiders, released in 1969. [4] It entered the Billboard 200 on 5 April 1969 at number 122, spending 19 weeks on the chart peaking at number 51 on 10 May 1969. [5] The sound of the album has been compared to the Rolling Stones with both garage rock and light ...