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In 1953, Chanel collaborated with jeweler Robert Goossens; he was to design jewelry (bijouterie and gemstone) to complement the fashions of the House of Chanel; notably, long-strand necklaces of black pearls and of white pearls, which high contrast softened the severe design of the knitted-wool Chanel Suit (skirt and cardigan jacket). [6]
These models ultimately served as the basis for Chanel's costume jewelry designs. Goossens continued his work with the Maison Chanel after its founder's passing, and collaborated with her successor Karl Lagerfeld throughout the 1980s and 1990s to create costume jewelry for the Maison Chanel's ready-to-wear and couture collections.
Bettmann / Contributor / Getty ImagesThe 1950s were known as a golden age in fashion and glamour — and the jewelry was no exception, especially among the elites. From Lena Horne’s understated ...
A polychromatic Greek necklace with butterfly Krishna Roy pendant. In Ancient Greece, delicately made gold necklaces created with repoussé and plaited gold wires were worn. [4] Most often these necklaces were ornamented with blue or green enameled rosettes, animal shapes, or vase-shaped pendants that were often detailed with fringes. [4]
That's almost $190 per shopper. Americans will spend a record $27.5 billion on Valentine’s Day — from $250 Lana Del Rey vinyls to $1,200 Chanel necklaces – does love really have to come at a ...
In 1933, Iribe collaborated with Coco Chanel in the design of extravagant jewelry pieces commissioned by the International Guild of Diamond Merchants. The collection, executed exclusively in diamonds and platinum, was exhibited for public viewing and drew a large audience; some three thousand attendees were recorded in a one-month period.
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