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The Gospel of John does narrate the account of Jesus healing the son of a royal official at Capernaum at a distance in John 4:46–54. Some modern commentators [4] treat them as the same event. However, in his analysis of Matthew, R. T. France presents linguistic arguments against the equivalence of pais and son and considers these two separate ...
The official, based in Capernaum, may have been in service to either the tetrarch Herod Antipas or the emperor. It is not clear whether he is a Jew or Gentile. [3]The healing of the official's son follows Jesus' conversation with the Samaritan woman regarding "a spring of water welling up to eternal life” and serves as a prelude to Jesus' statement when questioned after healing the paralytic ...
At Simon Peter's house, Gaius humbly requests Jesus to heal his dying servant-son, Ivo, believing even from a distance. Jesus marvels at and acknowledges Gaius' faith, healing Ivo. Before journeying, Big James and John seek Jesus for high-ranking status and seats in his kingdom, upsetting Jesus and bothering the other ten apostles.
Christ Healing the Paralytic at the Pool of Bethesda (1667-1670) by Bartolomé Esteban Murillo. Christ Healing the Paralytic at the Pool of Bethesda is a 1667-1670 oil on canvas painting by Bartolomé Esteban Murillo, now in the National Gallery, London, [1] to which it was presented by the Art Fund, which had bought it for £8,000 the body had been given by Graham Robertson's executors.
Joseph is making a door, which is laid upon his carpentry work-table. Jesus has cut his hand on an exposed nail, symbolizing the stigmata and foreshadowing Jesus's crucifixion. Some of the blood has fallen onto his foot. As Jesus's grandmother, Anne, removes the nail with a pair of pincers, his concerned mother, Mary, offers her cheek for a ...
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
The painting possesses an esthetic influence from Pinturicchio and Melozzo da Forlì, though the spatial orchestration of the work, with its tendency to movement, shows Raphael's knowledge of the Florentine artistic milieu of the 16th century. [2] The work was acquired by the São Paulo Museum of Art in 1954.
Made and painted by Lucas Cranach the Elder, the painting depicts Jesus Christ with children, based on the New Testament verse "Suffer the little children to come unto me, and forbid them not: for of such is the kingdom of God" (Mark 10:14); a popular subject of Protestant iconography in line with the Lutheran teachings of Sola gratia and Sola Fide; salvation by grace through faith, a theme ...