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Metaphors can be paraphrased, and implicit meaning in a poem can be made explicit. Even if there are aspects of a poem that are not paraphrasable, such as sound and form, no one expects a paraphrase to contain a poem's exact meaning. However, a paraphrase cannot replicate the same beauty as the poem it is based on. [6]
[citation needed] Somewhat like American soul music, but with melancholy instead of funk, most ghazals can be viewed in a spiritual context, with the Beloved being a metaphor for God or the poet's spiritual master. It is the intense Divine Love of Sufism that serves as a model for all the forms of love found in ghazal poetry.
The poem itself is a plea addressed directly to God, who is invoked in his Trinitarian form ("three-person'd God"). The speaker does not suffer from an internal problem here, unlike in a number of Donne's other Holy Sonnets (such as I am a little world made cunningly or O, to vex me ); he is sure of what he needs and how to reach his end goal.
A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...
The pattern for the number of stresses in this poem is 3-3-4-4-4-3. Flow-er in the cran-nied wall, I pluck you out of the cran-nies, I hold you here, root and all, in my hand, Little flow-er—but if I could un-der-stand. What you are, root and all, and all in all, I should know what God and man is. The poem also follows an ABCCAB rhyme scheme.
I can see the bubbles rising Where we set the captives free. A bulwark is the area of the ships side which extends above the deck. Midst the spume of half a tempest I have heard the bulwarks go When the crashing, point blank round shot Sent destruction to our foe. I have fought with gun and cutlass On the red and slippery deck With all Hell ...
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God's Trombones: Seven Negro Sermons in Verse is a 1927 book of poems by James Weldon Johnson patterned after traditional African-American religious oratory. African-American scholars Henry Louis Gates and Cornel West have identified the collection as one of Johnson's two most notable works, the other being Autobiography of an Ex-Colored Man .