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New Birth (also known as The New Birth) is an American funk and R&B group. It was originally conceived in Detroit, Michigan, by former Motown songwriter/producer Vernon Bullock and co-founded in Louisville, Kentucky, by him with former singer and Motown songwriter/producer Harvey Fuqua and musicians Tony Churchill, James Baker, Robin Russell, Austin Lander, Robert "Lurch" Jackson, Leroy Taylor ...
Ain't No Big Thing, But It's Growing is the second album by American funk and R&B collective New Birth, released on July 17, 1971, in North America by RCA.. Released eight months after the release of their self-titled debut album (1970), like the previous album, Ain't No Big Thing was produced by mentor Harvey Fuqua and his assistant Vernon Bullock.
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The New Birth was as much a concept as it was a group, as it consisted of the instrumental group The Nite-Liters, (already famous for the song "K-Jee"), who during their height, consisted of James Baker, Robin Russell, Leroy Taylor, Charlie Hearndon, Tony Churchill, Austin Lander, Robert "Lurch" Jackson, (and, at this point, Johnny Graham, though they would later add Carl McDaniel), female ...
"New Orleans Lady" by James Rivers "New Orleans, Louisiana" by Dr. John and Chris Barber "New Orleans Low Down" by Duke Ellington "New Orleans Mambo" by James Rivers Quartet "New Orleans (Mardi Gras)" by Southwind "New Orleans Moan" by Roselyn Lionhart (of duo David and Roselyn) "New Orleans Music" by Rebirth Brass Band
Dusty Springfield included a version of the song on her 1968 album Dusty... Definitely. In 1975 the song was remade by Louisville, Kentucky-based group New Birth. Their version was the group's only #1 hit on the soul chart and one of three songs to make the top 10 on that chart; it was one of two New Birth entries to hit the Top 40, reaching ...
The debut recording with Ethel Waters was recorded on Black Swan Records (1921) and rapidly became a hit. Her rendition features the rarely-heard 6-bar instrumental intro, [b] followed by her singing the 1st verse (16 bars, plus 1), then her singing the 1st chorus (16 bars, plus 2), then instruments playing 8, plus 2 bars of the chorus, finishing with her singing the 1st chorus (16 bars, plus 2).
In all versions of the song, Mary Hamilton is a personal attendant to the Queen of Scots, but precisely which queen is not specified. She becomes pregnant by the Queen's husband, the King of Scots, which results in the birth of a baby. Mary kills the infant – in some versions by casting it out to sea [1] or drowning, and in others by exposure ...