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The DVD format uses the 48 kHz sampling rate, and its doublings. In digital audio, 48,000 Hz (also represented as 48 kHz or DVD Quality) is a common sampling rate. It has become the standard for professional audio and video. 48 kHz is evenly divisible by 24, a common frame rate for media, such as film, unlike 44.1 kHz. [i]
48,000 Nintendo 64 console DSP, [134] combined sound and graphics processor, ADPCM, MP3 support [135] [136] [137] Sharp Corporation: Sharp SM8521 1997 1 8 32,768 Game.com handheld Sony: Sony SPC700 (Nintendo S-SMP) 1990 8 16 32,000 Super Nintendo Entertainment System console Bit Rate Reduction (BRR) ADPCM [138] [139] Sony SPU (Sound Processing ...
Audio on Compact Disc has a sampling rate of 44.1 kHz; to transfer it to a digital medium that uses 48 kHz, method 1 above can be used with L = 160, M = 147 (since 48000/44100 = 160/147). [5] For the reverse conversion, the values of L and M are swapped.
The sampling frequency or sampling rate, , is the average number of samples obtained in one second, thus = /, with the unit samples per second, sometimes referred to as hertz, for example 48 kHz is 48,000 samples per second.
Different bit depth/sampling rate/channel combinations can be used on a single disc. For instance, a DVD-Audio disc may contain a 96 kHz/24-bit 5.1-channel audio track as well as a 192 kHz/24-bit stereo audio track. Also, the channels of a track can be split into two groups stored at different resolutions.
The amount of space required to store PCM depends on the number of bits per sample, the number of samples per second, and the number of channels. For CD audio, this is 44,100 samples per second, 16 bits per sample, and 2 channels for stereo audio leading to 1,411,200 bits per second. However, this space can be greatly reduced using audio ...
The audio contained in a CD-DA consists of two-channel signed 16-bit LPCM sampled at 44,100 Hz and written as a little-endian interleaved stream with left channel coming first. The sampling rate is adapted from that attained when recording digital audio on videotape with a PCM adaptor, an earlier way of storing digital audio.
In fact, it is possible to accommodate any rate between 32 kbit/s and 64 kbit/s by steps of 4 kbit/s. Moreover, the codec can also provide higher rates than 64 kbit/s and up to 128 kbit/s. Amendment 1 of the ITU-T G.719 specification defined the use of the ISO base media file format (ISO/IEC 14496-12 a.k.a. MPEG-4 Part 12) as container for the ...