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In Norway, the pattern was already in use prior to 1857 on sweaters from Western Norway based on Danish designs. [ 1 ] Marit Guldsetbrua Emstad (born 1841), [ 2 ] a girl from Selbu, popularized the design in 1857 when she knitted three pairs of mittens with an eight-petalled rose design ( åttebladrose ) and brought them to church.
Some of the most well known sweater patterns attributed to Norwegian colorwork knitting are the Setesdal Lusekofte and the Fana Fanacofte patterns. Selbu in Trøndelag county is also well known for the Selburose pattern motif. Selbu mittens first appeared as a vertical column of two snowflakes on the front side of the mittens. The origin of ...
Mittens and gloves were commonly twine-knitted in white (typically for women) or black (typically for men) wool yarn with a knitted or embroidered colourful pattern. Embroidered twine-knitted mittens with a fringe trimming are particularly associated with Dala-Floda were they are included in the traditional local costume. However, embroidered ...
The pattern is a Selburose, which is a traditional rose from the Selbu area, shaped like an octagram. Marit Guldsetbrua Emstad (born 1841) first knitted the pattern into a pair of mittens in 1857, [2] and sold it through Husfliden in Trondheim in 1897. Selbuvott is possibly the most-worn knitted pattern in Norway.
The pattern for which Zimmermann knitted the model was published in Vogue Pattern Book in 1958, while a collection of patterns for men's and women's Aran sweaters with matching socks and mittens, entitled "Hand Knits from the Aran Islands," was published in a 1956 issue of Woman's Day.
Aran knitting patterns are heavily textured knitting patterns which are named after the Aran Islands, which are located off the west coast of Ireland from County Galway and County Clare. The patterns are knitted into socks, hats, vests, scarves, mittens, afghans, pillow covers, [ 1 ] and, most commonly, sweaters.
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