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The sonatas stem from a period late in Brahms's life where he discovered the beauty of the sound and tonal colour of the clarinet. [1] The form of the clarinet sonata was largely undeveloped until after the completion of these sonatas, after which the combination of clarinet and piano was more readily used in composers’ new works. [2]
Op. 120, No. 1, also entitled Opus 120, No. 1 or in its German form, Opus 120, Nr. 1, is a 1986 arrangement for clarinet and orchestra of Johannes Brahms's Clarinet Sonata Op. 120, No. 1 by Italian composer Luciano Berio. As with the original Sonata, the soloist in this arrangement can either be a clarinet or a viola.
Clarinet Sonata No. 1 (1894) Clarinet Sonata No. 2 (1894) William Henry Hadow: Clarinet Sonata (1897) [5] Max Reger: Clarinet Sonata No. 1 (1900) Clarinet Sonata No. 2 (1900) Clarinet Sonata No. 3 (1909) Donald Francis Tovey: Clarinet Sonata in B-flat major, Op. 16 (1906) [6] Charles Villiers Stanford: Clarinet Sonata, Op. 129 (1912), which can ...
D. 366 No. 17 for piano solo is the same Ländler as D. 814 No. 1 for piano duet; #17 in Brahms' set is a piano solo arr. of D. 814 No. 1, though markedly different from Schubert's piano solo version D. 366 No. 17; published 1869 A. deest: Christoph Willibald Gluck: Paride ed Elena: Gavotte in A major (arr. by JB) piano 4-hands [4] published 1901
C. Cello Sonata No. 1 (Brahms) Cello Sonata No. 2 (Brahms) Clarinet Sonatas (Brahms) V. Viola Sonatas (Brahms)
Brahms Sonata for Clarinet and Piano in E ♭ major, Op. 120 No.2 Joel Rosen, piano 1953, DL 9639 Brahms Trio for Clarinet, Cello and Piano in A minor, Op. 114 Frank Miller, cello, Mieczyslaw Horszowski, piano 1950, DL 9732 / 7524 Corelli: Giga (from Recorder Sonata in C major, Op. 5 No.9) (transcr. Kell) Brooks Smith, piano 1957, DL 9926 Debussy
On 4 November 1876, The First Symphony of Johannes Brahms was premiered here. This building was destroyed by fire in 1918, and later replaced by this bank building." The Symphony No. 1 in C minor, Op. 68, is a symphony written by Johannes Brahms. Brahms spent at least fourteen years completing this work, whose sketches date from 1854.
The first movement is in conventional sonata form with a repeated exposition. The opening of the first theme resembles the opening of Beethoven's "Hammerklavier" Sonata. [1] [2] The second movement is a theme and variations inspired by the song Verstohlen geht der Mond auf. Brahms was to rewrite it for female chorus in 1859 (WoO 38/20).
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