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Wood finishing techniques (1 C, 7 P) Pages in category "Surface decorative techniques in woodworking" The following 16 pages are in this category, out of 16 total.
Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...
Pyrography or pyrogravure is the free handed art of decorating wood or other materials with burn marks resulting from the controlled application of a heated object such as a poker. It is also known as pokerwork or wood burning. [1] The term means "writing with fire", from the Greek pyr (fire) and graphos (writing). [2]
Sanding is carried out before finishing to remove defects from the wood surface that will affect the appearance and performance of finishes that are subsequently applied to the wood. [7] These defects include cutter marks and burns, scratches and indentations, small glue spots and raised grain. [7]
A typically rounded or semicircular decorative treatment cut into a square edge of a moulding or a piece of wooden furniture. belly Convexity in a jointed board surface. bench dog. Also called a bench stop. A peg standing proud of the bench surface. bench hook A tool clamped to a workbench and used for easy cutting. bevel
The wax encaustic painting technique was described by the Roman scholar Pliny the Elder in his Natural History from the 1st Century AD. [5] The oldest surviving encaustic panel paintings are the Romano-Egyptian Fayum mummy portraits from Egypt , around 100–300 AD, [ 6 ] but it was a very common technique in ancient Greek and Roman painting.
Graining, wood graining, or faux bois (French for "fake wood") is often used to imitate exotic or hard-to-find wood varieties. Trompe-l'œil , "fool the eye" in French, is a realistic painting technique often used in murals, and to create architectural details as well as depth and 3 dimensionality.
The painting is carried out in layers, with the first layer being a base. Today that is usually done with latex paint in a gold or orange or tan tone, depending on the type of wood the artist is aiming to imitat. A second layer of tempera or thinned paint is applied over the dry base, by means of a sponge or large inexpensive brush. During the ...
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