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The Ashcan School, also called the Ash Can School, was an artistic movement in the United States during the late 19th-early 20th century [1] that produced works portraying scenes of daily life in New York, often in the city's poorer neighborhoods.
Jerome Myers (March 20, 1867 – June 19, 1940) was an American artist and writer associated with the Ashcan School, particularly known for his sympathetic depictions of the urban landscape and its people. [1]
William James Glackens (March 13, 1870 – May 22, 1938) was an American realist painter and one of the founders of the Ashcan School, which rejected the formal boundaries of artistic beauty laid down by the conservative National Academy of Design.
George Benjamin Luks (August 13, 1867 – October 29, 1933) was an American artist, identified with the aggressively realistic Ashcan School of American painting.. After travelling and studying in Europe, Luks worked as a newspaper illustrator and cartoonist in Philadelphia, where he became part of a close-knit group, led by Robert Henri, that set out to defy the genteel values imposed by the ...
New York: Harper & Row, 1965. Sullivan, Mark W. "The Darby School of Art" (Havertown, PA: Brookline Books, 2023) Zurier, Rebecca. Art for "The Masses": A Radical Magazine and Its Graphics, 1911-1917. Philadelphia: Temple University Press, 1988. Weinberg, H Barbara (2009). American impressionism and realism . New York: The Metropolitan Museum of ...
Ashcan School Artists, circa 1896. L-R: Everett Shinn, Robert Henri, John French Sloan. In 1897, Shinn was offered a higher paying job as an illustrator for Joseph Pulitzer's New York World. (Theodore Dreiser also worked for the World at that time. [9]) He was joined shortly after by his wife, Flossie, and by other members of the Charcoal Club.
George Bellows, Dempsey and Firpo (1924), Whitney Museum of American Art George Bellows, New York (1911) Ashcan school artists and friends at John French Sloan's Philadelphia Studio, 1898. American realism was a movement in art, music and literature that depicted contemporary social realities and the lives and everyday activities of ordinary ...
Bellows was soon a student of Robert Henri, who at the time was teaching at the New York School of Art. While studying there, Bellows became associated with Henri's "The Eight" and the Ashcan School, a group of artists who advocated painting contemporary American society in all its forms. [11]