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Throughout the poem, music is seen as not only a form of art and entertainment, but also as a way of life: people living the blues. Hughes's ability to incorporate poetry with music and history with art has given him the reputation as one of the leading black artists of the 20th century. [8] "The Weary Blues" allows the reader to seek to unlock ...
Jazz poetry has been defined as poetry that "demonstrates jazz-like rhythm or the feel of improvisation" [1] and also as poetry that takes jazz music, musicians, or the jazz milieu as its subject, [2] and is designed to be performed. Some critics consider it a distinct genre though others consider the term to be merely descriptive.
Her poems, many published while she attended Wilson Junior College, ranged in style from traditional ballads and sonnets to poems using blues rhythms in free verse. [13] In her early years, she received commendations on her poetic work and encouragement from James Weldon Johnson , Richard Wright and Langston Hughes . [ 14 ]
The tone poems of Richard Strauss are noted as the high point of program music in the latter part of the 19th century, extending its boundaries and taking the concept of realism in music to an unprecedented level. In these works, he widened the expressive range of music while depicting subjects many times thought unsuitable for musical depiction.
Traditional blues verses in folk-music tradition have also been called floating lyrics or maverick stanzas.Floating lyrics have been described as “lines that have circulated so long in folk communities that tradition-steeped singers call them instantly to mind and rearrange them constantly, and often unconsciously, to suit their personal and community aesthetics”.
Angelou was also a fan of country music, and had written several songs. [7] [note 1] Angelou recorded two albums of poetry and songs written during her time as a night club performer; the first in 1957 for Liberty Records and the second, "The Poetry of Maya Angelou", for GWP Records the year before the publication of Caged Bird.
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In the play, the poem was put to music by the composer Benjamin Britten and read as a blues work. [2] Hedli Anderson, an English singer, was a lead performer in The Ascent of F6. [2] Auden decided to re-write several poems for Anderson to perform as cabaret songs, including "Funeral Blues", and was working on them as early as 1937. [3]