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Three of the four highest-grossing films, including Avatar at the top, were written and directed by James Cameron.. With a worldwide box-office gross of over $2.9 billion, Avatar is proclaimed to be the "highest-grossing" film, but such claims usually refer to theatrical revenues only and do not take into account home video and television income, which can form a significant portion of a film ...
Soldaat van Oranje (Soldier of Orange, 1977) was voted the best Dutch film of all time by nearly 9,000 people in a 2006 online poll organized by the now defunct Dutch website Filmwereld.net. [163] Zwartboek (Black Book, 2006) was voted the best Dutch film of all time at the 2008 Netherlands Film Festival by nearly 15,000 members of the public ...
** The Godfather was overtaken by Jaws (rated PG) as the highest-grossing film of all-time in 1976. The Exorcist only overtook The Godfather on one of its many re-releases, beginning in 1976. It is not known on exactly which re-release The Exorcist surpassed The Godfather in worldwide gross, but in the United States and Canada it happened in 1979.
Time's All-Time 100 Movies is a list compiled by Time magazine of the 100 "greatest" films that were released between March 3, 1923—when the first issue of Time was published—and early 2005, when the list was compiled. [1]
The percentage is based on the film's reviews aggregated by the website and assessed as positive or negative, and when all aggregated reviews are positive, the film has a 100% rating. Listed below are films with 100% ratings that have a critics' consensus or have been reviewed by at least twenty film critics.
It also broke The Dark Knight's records ($158.4 million) for the highest weekend debut in July, for a summer release, a PG-13 rated film, a Warner Bros. film, and of all time, Alice in Wonderland ' s record ($116.1 million) for the highest weekend debut for a 3-D film, and Harry Potter and the Deathly Hallows – Part 1 ' s record ($125 million ...
For example, tax filings in 2010 for Cinemark Theatres show that only 54.5 percent of ticket revenues went to the distributor, with the exhibitor retaining the rest. While the distributor's cut will vary from film to film, a Hollywood studio will typically collect half the gross in the United States and less in other parts of the world.
Beginning with Animerama, the first Japanese animated film trilogy or series to be rated X by the MPAA established in the United States, begins the first film of the trilogy is A Thousand and One Nights (1969), was a success in Japan with distribution box-office revenue of ¥290 million, [2] it fails at the box-office revenue in the United States until Fritz the Cat, the first animated film ...