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Beni itajime is a block-resist dyeing method that was common throughout the Meiji period (1868-1912), used to create red lining fabrics with crisp white designs. In China, the jia xie method, invented around 500 AD, uses wooden blocks to dye patterns onto fabric, usually silk .
Kasuri (絣) is the Japanese term for fabric that has been woven with fibers dyed specifically to create patterns and images in the fabric, typically referring to fabrics produced within Japan using this technique. It is a form of ikat dyeing, traditionally resulting in patterns characterized by their blurred or brushed appearance. [1]
The background is dyed by covering all of the already-dyed areas with additional resist pastes, then applying the background dye either with a brush (hiki-zome), [3] or by dipping the fabric in a vat of dye (ji-zome), [4] sometimes with additional shibori (tie-dye) patterning. [3]
Indians use resist-dyeing with cotton fabrics. Initially, wax and even rice starch were used for printing on fabrics. Until recently batik was made only for dresses and tailored garments, but modern batik is applied in numerous items, such as murals, wall hangings, paintings, household linen, and scarves, with livelier and brighter patterns.
A woman dyeing cotton. Today, there are three primary resist techniques used in Nigeria: Oniko: this process involves tying raffia around hundreds of individual corn kernels or pebbles to produce small white circles on a blue background. The fabric can also be twisted and tied on itself or folded into stripes.
Tritik, or stitch resist, is a resist dyeing technique in which a line of stitches is gathered tightly before dyeing, creating a negative design in the dyed fabric. [1] It is similar to the Japanese resist technique shibori. Traditionally two hand stitches are used for tritik: running stitch and whip stitch. [2]
In other resist-dyeing techniques such as tie-dye and batik the resist is applied to the woven cloth, whereas in ikat the resist is applied to the yarns before they are woven into cloth. Because the surface design is created in the yarns rather than on the finished cloth, in ikat both fabric faces are patterned.
Katazome (型染め) is a Japanese method of dyeing fabrics using a resist paste applied through a stencil, typically a rice flour mixture applied with a brush or a tool such as a palette knife. Unlike yūzen, stencils are used repeatedly to make a repeating pattern. Pigment is added by hand-painting, immersion dyeing, or both.
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