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Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...
Another example of the son cubano was Sergio González Siaba's "El cuarto de Tula", sung by Eliades Ochoa, with Ibrahim Ferrer and Manuel "Puntillita" Licea joining Ochoa in an extended descarga (jam) section improvising lyrics. Barbarito Torres played a frenetic laúd solo towards the end of the track. Timbales were played by 13-year-old ...
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A minor seventh would be added to the dominant "V" chord to increase tension before resolution (V 7 –i). [2] The roots of the chords belong to a modern phrygian tetrachord (the equivalent of a Greek Dorian tetrachord, [10] the latter mentioned above), that is to be found as the upper tetrachord of a natural minor scale (for A minor, they are: A G F E).
A chord is inverted when the bass note is not the root note. Additional chords can be generated with drop-2 (or drop-3) voicing, which are discussed for standard tuning's implementation of dominant seventh chords (below). Johnny Marr is known for providing harmony by playing arpeggiated chords.
"El Cuarto de Tula" 2:53: 9. "Volare" 2:26: 10. "Country Roads" 2:41: Chart performance. Chart (2012) Peak position UK Albums Chart [1] 46 Release history. Region
Son montuno is a subgenre of son cubano developed by Arsenio Rodríguez in the 1940s. Although son montuno ("mountain sound") had previously referred to the sones played in the mountains of eastern Cuba, Arsenio repurposed the term to denote a highly sophisticated approach to the genre in which the montuno section contained complex horn arrangements. [1]
The songs were recorded in 1989 at the EGREM studios (Siboney), Santiago de Cuba, for the album Chanchaneando, who was released on CD years later. Compay Segundo and the Cuarteto Patria, with Eliades Ochoa on lead vocals and guitar, would often play the song at the Casa de la Trova in Santiago, where the song began to gain popularity among ...