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Exaggeration is the representation of something as more extreme or dramatic than it is, intentionally or unintentionally. It can be a rhetorical device or figure of speech , used to evoke strong feelings or to create a strong impression.
An anecdote [1] [2] is "a story with a point", [3] such as to communicate an abstract idea about a person, place, or thing through the concrete details of a short narrative or to characterize by delineating a specific quirk or trait.
An exaggeration occurs when the most fundamental aspects of a statement are true, but only to a certain degree. It also is seen as "stretching the truth" or making something appear more powerful, meaningful, or real than it is. Saying that someone devoured most of something when they only ate half is considered an exaggeration.
As derived from literature and theatre, "burlesque" was used, and is still used, in music to indicate a bright or high-spirited mood, sometimes in contrast to seriousness. [16] In this sense of farce and exaggeration rather than parody, it appears frequently on the German-language stage between the middle of the 19th century and the 1920s.
Hyperbole (/ h aɪ ˈ p ɜːr b əl i / ⓘ; adj. hyperbolic / ˌ h aɪ p ər ˈ b ɒ l ɪ k / ⓘ) is the use of exaggeration as a rhetorical device or figure of speech.In rhetoric, it is also sometimes known as auxesis (literally 'growth').
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. [1]
Adianoeta – a phrase carrying two meanings: an obvious meaning and a second, more subtle and ingenious one (more commonly known as double entendre). Alliteration – the use of a series of two or more words beginning with the same letter. Amphiboly – a sentence that may be interpreted in more than one way due to ambiguous structure.
The metaphor of the "slippery slope" dates back at least to Cicero's essay Laelius de Amicitia (XII.41). The title character Gaius Laelius Sapiens uses the metaphor to describe the decline of the Republic upon the impending election of Gaius Gracchus : "Affairs soon move on, for they glide readily down the path of ruin when once they have taken ...