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For instance, Bruce Springsteen's "Born in the U.S.A." (1984) listed in Rolling Stone's "The 500 Greatest Songs of All Time" and RIAA's Songs of the Century was written as a satire yet canonized as a "patriotic rock anthem," a designation that ignores the message "how far political leaders had strayed from the values the country was founded on ...
" The song itself is a response to and parody of "Download This Song" by MC Lars. It is also a spoof of the ending song during the credits on Dickie Roberts: Former Child Star with all the former child stars. [3] "Don't Wear Those Shoes" Polka Party! (1986) Original, although the intro is in the style of The Kinks' "Father Christmas". [1]
Pages in category "Satirical songs" The following 175 pages are in this category, out of 175 total. This list may not reflect recent changes. 0–9.
Satirical songs (1 C, 174 P) Pages in category "Musical satire" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. A.
Some of them being, "Underground", "Sports and Wine", and "Rock Star". Dead Kennedys, an American punk band, often used satire in their songs, most notably Kill the Poor. Frank Zappa and the Mothers of Invention's We're Only in It for the Money, a satire of flower power and conservative America.
A novelty song is a type of song built upon some form of novel concept, such as a gimmick, a piece of humor, or a sample of popular culture. Novelty songs partially overlap with comedy songs, which are more explicitly based on humor, and with musical parody, especially when the novel gimmick is another popular song. Novelty songs achieved great ...
Elon Musk is being accused of completely missing the point of the satirical 1997 sci-fi action movie Starship Troopers after referencing it when celebrating his new role in Donald Trump’s ...
Reefer Madness is a musical satire of the 1936 propaganda film and cult classic Reefer Madness that opened in Los Angeles in 1998. [1] The book and lyrics were written by Kevin Murphy and the book and music by Dan Studney.