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The traditional male tattoo in Samoa is called the pe'a. The traditional female tattoo is called the malu. The word tattoo is believed to have originated from the Samoan word tatau, coming from Proto-Oceanic *sau₃ referring to a wingbone from a flying fox used as an instrument for the tattooing process. [67]
A tattoo is a form of body modification made by inserting tattoo ink, dyes, and/or pigments, either indelible or temporary, into the dermis layer of the skin to form a design. Tattoo artists create these designs using several tattooing processes and techniques, including hand-tapped traditional tattoos and modern tattoo machines.
Irish art is art produced in the island of Ireland, and by artists from Ireland. The term normally includes Irish-born artists as well as expatriates settled in Ireland. Its history starts around 3200 BC with Neolithic stone carvings at the Newgrange megalithic tomb, part of the Brú na Bóinne complex which still stands today, County Meath.
With the arrival of Christianity, Irish art was influenced by both Mediterranean and Germanic traditions, the latter through Irish contacts with the Anglo-Saxons, creating what is called the Insular or Hiberno-Saxon style, which had its golden age in the 8th and early 9th centuries before Viking raids severely disrupted monastic life.
The Irish Girl by Ford Maxon Brown, 1860. Traditional Irish clothing is the traditional attire which would have been worn historically by Irish people in Ireland. During the 16th-century Tudor conquest of Ireland, the Dublin Castle administration prohibited many of Ireland’s clothing traditions. [1]
Traditional tattooing among the Dayak people of West Borneo, c. 1927. Some tribal cultures traditionally created tattoos by cutting designs into the skin and rubbing the resulting wound with ink, ashes or other agents; some cultures continue this practice, which may be an adjunct to scarification. Some cultures create tattooed marks by hand ...
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The style is most commonly associated with the Celtic lands, but it was also practiced extensively in England and was exported to Europe by Irish and Northumbrian monastic activities on the continent. J. Romilly Allen has identified "eight elementary knots which form the basis of nearly all the interlaced patterns in Celtic decorative art". [4] [5]