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A Senegalese kaftan is a pullover men's robe with long bell-like sleeves. In the Wolof language, this robe is called a mbubb and in French, it is called a boubou. The Senegalese kaftan is an ankle-length garment, and is worn with matching drawstring pants called tubay. Usually made of cotton brocade, lace, or synthetic fabrics, these robes are ...
Traditional clothing for men include various forms of headgear, most commonly a skullcap known as doʻppi, a long coat called chopon, a shirt known as yaktak, a traditional sash, and loose pants. Women usually wear clothing that covers the whole body, with bright-colored knee-length dresses with loose pants known as lozim being the most common ...
The kaftan is worn by Christians, African Jews, Muslims, and followers of African traditional religion. Furthermore, Senegalese kaftans are common among men of African descent in the African diaspora. The Senegalese kaftan is men's attire. In West Africa, and the United States, this robe is not worn by women. The women's robe is called a kaftan.
The wrapper, lappa, or pagne is a colorful garment widely worn in West Africa by both men and women. It has formal and informal versions and varies from simple draped clothing to fully tailored ensembles. The formality of the wrapper depends on the fabric used to create or design it.
The three pieces are generally of the same colour. It is made from cotton and richly embroidered in traditional patterns. It is worth stating, the Yoruba Agbada is a different clothing and distinct from the Babaringa and Grand Boubou. [2] The Agbada is produced in various styles including with aso oke, lace, silk, etc.
Ottoman Sultan Suleiman the Magnificent adorned in a richly embroidered kaftan A stylish young woman of the mid-17th century. She wears şalvar (trousers), a long, sheer gömlek (chemise), and an ankle-length purple entari (outer robe) with the ends tucked up.
The wave-like patterns may have in fact been inspired by Neolithic motifs and natural phenomena (i.e., waves, clouds, indigenous flora and fauna). [17] Acheik-type designs are found on pottery dating back to the Pyu city states (400s-900s CE), as well as in temple wall paintings dating back to the Bagan Kingdom era (1000s-1200s CE). [2]
The design of the agbada, with its wide sleeves and intricate embroidery, signified the wearer’s prestige and was often used in important ceremonies and public appearances. Yoruba man in a type of Agbada. Many Agbada are made with aso oke or aso ofi fabric, but they can be made in other different fabrics including adire. The Agbada has ...
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