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Poet and Peasant and Light Cavalry are among the most famous overtures ever written". [26] To these, the music critic Andrew Lamb adds as outstanding among Suppé's overtures those to Ein Morgen, ein Mittag und ein Abend in Wien (Morning, Noon, and Night in Vienna, 1844), Pique Dame (Queen of Spades, 1862), Flotte Bursche (Jolly Students, 1863 ...
Many classical compositions belong to a numbered series of works of a similar type by the same composer. For example, Beethoven wrote 9 symphonies, 10 violin sonatas, 32 piano sonatas, 5 piano concertos, 16 string quartets, 7 piano trios and other works, all of which are numbered sequentially within their genres and generally referred to by their sequence numbers, keys and opus numbers.
Overtures were popular in 1950s and 1960s Hollywood musicals (particularly those of Rodgers and Hammerstein) but have become less common since. [1] In many cases, these overtures have been cut from TV and video releases and can only be found on "restored" DVD, Blu-ray and Ultra HD Blu-ray versions, if at all.
Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
The Coriolan Overture (German: Coriolan-Ouvertüre or Ouvertüre zu Coriolan), Op. 62, is a composition written by Ludwig van Beethoven in 1807 for Heinrich Joseph von Collin's 1804 tragedy Coriolan. [a] The overture was premiered in March 1807 at a private concert in the home of Joseph Franz von Lobkowitz.
Light Cavalry Overture is the overture to Franz von Suppé’s operetta Light Cavalry (German: Leichte Kavallerie), [1] premiered in Vienna in 1866. [2] Although the whole operetta is rarely performed or recorded, the overture is one of Suppé's most popular compositions, and has achieved a quite distinct life of its own, divorced from the opera of which it originally formed a part.
Overture to Of Thee I Sing (1931), for orchestra. The shortest Broadway overture written by Gershwin. It is also the least episodic of his overtures. Only two songs are quoted in the overture, the rest are only referenced in fragments and repeating musical cells. Also features Gershwin's only known violin cadenza.
Zampa was first performed in Paris on 3 May 1831 at the Opéra-Comique (Salle Ventadour), where it became popular, achieving 500 performances by 1877. In the 20th century however, it faded from the repertoire. It was also popular in Germany and Italy; in the latter the spoken dialogue was replaced by recitatives.