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The first inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the third of the chord is the bass note and the root a sixth above it. [1] In the first inversion of a C-major triad, the bass is E — the third of the triad — with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor ...
In tone-clock theory, the hours are often referred to using Roman numerals — so IV is IPF 1-4, while IX is IPF 2-5. Major and minor forms: For asymmetrical hours (hours that are formed from two different interval classes), the minor form is the inversion of the triad with the smallest ic on the bottom, while the major form is the inversion ...
A minor triad has a minor third (m3) on the bottom, a major third (M3) on top, and a perfect fifth (P5) between the outer notes. In harmonic analysis and on lead sheets, a C minor chord can be notated as Cm, C−, Cmin, or simply the lowercase "c". A minor triad is represented by the integer notation {0, 3, 7}.
A diminished triad can be viewed as a minor triad in which the perfect fifth has been substituted with a diminished fifth (6 semitones). In this case, the augmented triad can be named major triad sharp five , or major triad augmented fifth (M ♯ 5 , M +5 , maj aug5 ).
S.P.I.T. or sometimes simply called SPIT is a methodology developed by Mark and Jane Shellhammer, is a specific way of learning musical improvisation.The letters S.P.I.T. is an acronym for scale, pattern, inversion, and triad and usually pertains to the first four chord types which include major 7, dominant 7, minor 7, and half-diminished expressed in all twelve key signatures.
As shown above, a C-major triad (or any chord with three notes) has two inversions: In the first inversion, the lowest note is E – the third of the triad – with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor sixth above the inverted bass of E, respectively.
Especially in its most common occurrence (as a triad in first inversion), the chord is known as the Neapolitan sixth: . The chord is called "Neapolitan" because it is associated with the Neapolitan School, which included Alessandro Scarlatti, Giovanni Battista Pergolesi, Giovanni Paisiello, Domenico Cimarosa, and other important 18th-century composers of Italian opera.
Deciding which note is the root of this chord could be determined by considering context. If the chord spelled C, E, G, A occurs immediately before a D 7 chord (spelled D, F ♯, A, C), most theorists and musicians would consider the first chord a minor seventh chord in first inversion, because the progression ii 7 –V 7 is a standard chord ...