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The story was twice adapted by Hollywood, first in 1990 as a short film, and again in 1993 as a television movie. Lupoff appeared in both films as an extra. [1] The major plot device is a time loop or time bounce, and bears great similarity to that of 1993's Groundhog Day. Lupoff and Jonathan Heap, director of the 1990 film, were "outraged" by ...
A frame story (also known as a frame tale, frame narrative, sandwich narrative, or intercalation) is a literary technique that serves as a companion piece to a story within a story, where an introductory or main narrative sets the stage either for a more emphasized second narrative or for a set of shorter stories. The frame story leads readers ...
Kuleshov edited a short film in which a shot of the expressionless face of Tsarist matinee idol Ivan Mosjoukine was alternated with various other shots (a bowl of soup, a girl in a coffin, a woman on a divan). The film was shown to an audience who believed that the expression on Mosjoukine's face was different each time he appeared, depending ...
Film analysis is the process by which a film is analyzed in terms of mise-en-scène, cinematography, sound, and editing. One way of analyzing films is by shot-by-shot analysis, though that is typically used only for small clips or scenes. Film analysis is closely connected to film theory. Authors suggest various approaches to film analysis.
Film stock made of nitrate, acetate, or polyester bases is the traditional medium for capturing the numerous frames of a motion picture, widely used until the emergence of digital film in the late 20th century. film theory film transition film treatment filmmaking. Sometimes used interchangeably with film production.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
A flashforward (also spelled flash-forward, and more formally known as prolepsis) is a scene that temporarily takes the narrative forward in time from the current point of the story in literature, film, television and other media. [1] Flashforwards are often used to represent events expected, projected, or imagined to occur in the future. They ...
This reflects the hypothesis that the same mechanisms are used to understanding stories and real life. In one study, researchers illustrated the common episodic structure between text and film, by asking participants to match a constructed text story to the dialogueless movie The Red Balloon. This task required participants to locate episodes ...