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Kassem Gharaibeh (Arabic: قاسم الغرايبة; born October 10, 1983) (known as Kassem G) is an American Internet personality and host of Attack of the Show!. [2] His YouTube channel Kassem G hosts several hundred videos, most notably the California On, Going Deep and Street Music webseries. [3]
Fullscreen (or full screen) refers to the 4:3 (1. 33:1) aspect ratio of early standard television screens and computer monitors. [1] Widescreen ratios started to become more popular in the 1990s and 2000s. Film originally created in the 4:3 aspect ratio does not need to be altered for full-screen release.
Pages in category "English-language YouTube channels" The following 169 pages are in this category, out of 169 total. This list may not reflect recent changes .
English-language YouTube channels (169 P) H. Hindi-language YouTube channels (12 P) J. Japanese-language YouTube channels (8 P) K. Korean-language YouTube channels (15 P)
McCollum avoids political topics in favor of exclusively covering technical topics and history. He has amassed over 2 million subscribers on YouTube. [7] Despite this, McCollum encountered some difficulties with YouTube deleting his videos, [8] which is why he began uploading his videos to Full30 and Floatplane.
'Little pony in New York'), is an American YouTuber, best known for his videos where he speaks various languages with people from different cultures. [3] The New York Times credited his channel as one of the most popular YouTube channels in this category, while voicing skepticism regarding the extent of his language proficiency. [ 4 ]
YouTube's policies restrict certain forms of content from being included in videos being monetized with advertising, including videos containing violence, strong language, sexual content, "controversial or sensitive subjects and events, including subjects related to war, political conflicts, natural disasters and tragedies, even if graphic ...
Example of "time-lapse" video, which Koyaanisqatsi uses heavily. Reggio and Fricke came across time-lapse footage in "some low-visibility commercial work". They felt such footage was "the language [they] were missing", and collectively decided to implement time-lapse as a major part of the film to create "an experience of acceleration".