Search results
Results from the WOW.Com Content Network
The Hymn of Jesus: for 2 mixed choruses, female semi-chorus and orchestra: text chosen and translated from the Apocryphal Acts of St. John, next to the hymn Pange lingua gloriosi proelium certaminis: Choral: 144: 38: 1919: Ode to Death: for mixed chorus and orchestra: words by Walt Whitman: Choral: 145: 1919: Short Festival Te Deum: for mixed ...
God So Loved the World (chorus or quartet a cappella) – text from John 3:16–17; Litany of the Passion (hymn) Jesus Said, 'Father, Forgive Them' (tenor and male chorus recitative) – text from Luke 23:34; So Thou Liftest Thy Divine Petition (tenor and bass solo duet) The Mystery of the Intercession (hymn)
Over the following years new, expanded editions of Sacred Songs were produced, containing many standard hymns as well as revivalist songs, the final edition from the 1900s containing 1,200 pieces. Sankey wrote the words for very few of these, but he composed and/or arranged new tunes for many of the hymns in the collection, particular for those ...
O clap your hands, motet for chorus and orchestra, text from Psalm 47 (1920) [13] Lord, thou hast been our refuge, motet for chorus, semi chorus and orchestra (or organ); text from Psalm 90 (1921) "Ca' the yowes" for tenor and chorus (1922), a setting of the folk song by Isabel Pagan/Robert Burns [14] Mass in G minor for unaccompanied choir (1922)
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. It was written in 1917–1919 and first performed in 1920.
There are 59 religious works, of which there are 17 larger choral works (seven masses, two requiems, one religious cantata, five psalm settings, one Te Deum hymn and one Magnificat hymn), 40 smaller choral works (16 hymns, six antiphons, six graduals, three settings of the offertorium, two chorale, two religious elegies, two Libera me, one ...
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Fragments of both hymns in the Delphi Archaeological Museum. The Delphic Hymns are two musical compositions from Ancient Greece, which survive in substantial fragments.They were long regarded as being dated c. 138 BC and 128 BC, respectively, but recent scholarship has shown it likely they were both written for performance at the Athenian Pythaids in 128 BC. [1]