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The Ecce Homo (Latin: "Behold the Man") in the Sanctuary of Mercy church in Borja, Spain, is a fresco painted circa 1930 by the Spanish painter Elías García Martínez depicting Jesus crowned with thorns. Both the subject and style are typical of traditional Catholic art. [1]
Fresco (pl. frescos or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall.
A fresco painting, from the Italian word affresco which derives from the adjective fresco ("fresh"), describes a method in which the paint is applied on plaster on walls or ceilings. The buon fresco technique consists of painting in pigment mixed with water on a thin layer of wet, fresh, lime mortar or plaster. The pigment is then absorbed by ...
Spanish Romanesque can boast some outstanding frescoes such as the Pantheon of the Kings of San Isidoro (León), retained 'in situ', or those removed from their original locations such as San Baudelio de Berlanga and the hermitage of la Vera Cruz (Maderuelo), both in the Prado, and the collection assembled in the National Art Museum of Catalonia.
Pablo Picasso's painting Guernica (1937) stands as a prominent example. Contemporary American painter Hugo Bastidas has become known for black-and-white paintings that imitate the effect of grisaille and often resemble black-and-white photographs. His medium- and large-scale paintings feature contrasting zones of high and low detail. [2] [3]
A Fresco-secco wall painting in St Just in Penwith Parish Church, Cornwall, UK. The painting was created in the 15th century and depicts Saint George fighting the dragon. Fresco-secco (or a secco or fresco finto) is a wall painting technique where pigments mixed with an organic binder and/or lime are applied onto dry plaster. [1]
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall ( fresco ) or on vellum (used for miniatures in illuminated manuscripts ).
Other notable examples are the Judgment of Paris formerly in the Gemäldegalerie, Berlin, but destroyed in World War II, and Christ with the Doctors in the Temple, in the Palazzo Corsini, Rome. In later years, he painted influential frescoes for the Cappella Corsini, the Palazzo Medici-Riccardi and other works. [4] Giordano died in Naples in 1705.