Search results
Results from the WOW.Com Content Network
The song peaked at number 62 on the Billboard Hot 100 in September 1957 and reached number 6 on the UK Singles Chart. With the success of the song, Gordy was able to fund the launch of Motown Records. [3] The song was reissued in 1986 following the showing of a clay animation video of Wilson singing the song on the BBC Two documentary series ...
This is a list of songs written by Berry Gordy, in most cases with other songwriters. ... "Reet Petite" Jackie Wilson: Tyran Carlo: 62 - 6 1979: Darts, #51 UK
Wilson scored a posthumous hit in Europe when "Reet Petite" topped the charts in the Netherlands, the Republic of Ireland and the United Kingdom in 1986. [31] This success was likely due in part to a new animated video made for the song, featuring a clay model of Wilson, that became popular on the BBC Two TV network in the latter country. [31]
The two also wrote "Reet Petite (The Finest Girl You Ever Want to Meet)" for Wilson, which was a top 10 hit for the singer in the UK and later topped the British charts in 1986 when re-released. Another success for the two was Marv Johnson 's major hit in 1959, " You Got What It Takes " (#2 R&B, No. 10 Pop), as the two continued to work together.
The following is a list of YouTubers for whom Wikipedia has articles either under their own name or their YouTube channel name. This list excludes people who, despite having a YouTube presence, are primarily known for their work elsewhere.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
British indie band the Housemartins released "Caravan of Love" in November 1986. The a cappella song was a success, reaching number one on the UK Singles Chart on 16 December 1986 (only the second a cappella recording to do so, after "Only You" by the Flying Pickets in 1983), before being denied the Christmas number one single by a posthumous re-release of Jackie Wilson's "Reet Petite". [6]
Reet, Petite, and Gone was the second. Crouch made his films on low budgets with fast-paced, assembly-line methods at the former Edison studio in New York City. Scenes were rarely photographed more than twice—once for long shots and once for close-ups—and if the actors couldn't remember the scripted dialogue, they said something appropriate ...