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The Jeff Beck Group; Jefferson Airplane; The Jelly Beans; Jerry Butler; Jerry Jeff Walker; Jerry Lee Lewis; Jerry Wallace; Jethro Tull; Jewel Akens; Jim Hall; Jim Reeves; Jimi Hendrix/The Jimi Hendrix Experience; Jimmy Clanton; Jimmy Cliff; Jimmy Hughes; Jimmy Jones; Jimmy McCracklin; Jimmy Reed; Jimmy Ruffin; Jimmy Soul; The Jive Five; Joan ...
Blue-eyed soul (also known as white soul) is soul music or rhythm and blues performed by white artists. [ 1 ] This is a dynamic list and may never be able to satisfy particular standards for completeness.
Classic female blues [46] Katherine Henderson: 1909 Unknown: Missouri Classic female blues [47] Edna Hicks: 1895 1925 Louisiana Classic female blues [48] Son House: 1902 1988 Mississippi Delta blues [49] Peg Leg Howell: 1888 1966 Georgia Country blues [50] Alberta Hunter: 1895 1984 Tennessee Classic female blues [51] Mississippi John Hurt: 1894 ...
The band was influenced by the Stax-Volt rhythm and blues (R&B) and soul bands of the 1960s, as exemplified by Otis Redding and the Bar-Kays. [15] [16] Joe Cocker, who sang soul-oriented covers of songs such as "With a Little Help from My Friends", was said by the Chicago Sun Times to have "opened the door for all blue-eyed soul singers after ...
All Music Guide to the Blues: The Definitive Guide to the Blues. San Francisco, California: Backbeat Books. ISBN 0-87930-736-6. Harrison, Daphne Duval (1990). Black Pearls: Blues Queens of the 1920s. New Brunswick and London: Rutgers. ISBN 0-8135-1280-8. Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray.
The 1960s began with soul music topping the charts, including pure soul divas and singers specializing in the new, rhythm and blues-gospel music fusion with a secular approach. Later specialties in soul cropped up, including girl groups, blue-eyed soul, brown-eyed soul, Memphis soul, Philly soul and, most popular, Motown.
This is a list of soul musicians who have either been influential within the genre, or have had a considerable amount of fame. Bands are listed by the first letter in their name (not including the words "a", "an", or "the"), and individuals are listed by last name.
Somewhat reminiscent of mid-1960s Supremes – particularly "Stop! In the Name of Love" – the single is now generally regarded as a pop and Northern soul classic. [2] The follow-up was less of a dance tune than the previous single. "South Carolina" was a ballad that reached only No. 111 pop in July 1969.