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In rhetoric, an anaphora (Greek: ἀναφορά, "carrying back") is a rhetorical device that consists of repeating a sequence of words at the beginnings of neighboring clauses, thereby lending them emphasis. [2]
Repetition is the simple repeating of a word, within a short space of words (including in a poem), with no particular placement of the words to secure emphasis.It is a multilinguistic written or spoken device, frequently used in English and several other languages, such as Hindi and Chinese, and so rarely termed a figure of speech.
The dating of this anaphora is strictly related to the attribution of the Apostolic Tradition which includes it. In 1906 Eduard von der Goltz was the first to suggest that the anonymous manuscript discovered in the 19th century was the Apostolic Tradition historically attributed to Hippolytus of Rome, thus dating the anaphora to the mid 3rd century AD and using it in reconstructing the early ...
The present Byzantine text of the Anaphora included in the Liturgy of Saint Basil is the final development of this anaphoric family. In the East the more ancient text is probably the ancient form of the Anaphora of Addai and Mari, followed by the East Syriac Rite Churches. The third Anaphora (Anaphora of Nestorius) is also in use.
Anaphora: the repetition of a word or phrase at the beginning of successive clauses. Anastrophe: changing the object, subject and verb order in a clause. Anti-climax: an abrupt descent (either deliberate or unintended) on the part of a speaker or writer from the strong conclusion that appeared imminent.
In linguistics, anaphora (/ ə ˈ n æ f ər ə /) is the use of an expression whose interpretation depends upon another expression in context (its antecedent).In a narrower sense, anaphora is the use of an expression that depends specifically upon an antecedent expression and thus is contrasted with cataphora, which is the use of an expression that depends upon a postcedent expression.
Plato considered any speech of lengthy prose aimed at flattery as within the scope of rhetoric. Some scholars, however, contest the idea that Plato despised rhetoric and instead view his dialogues as a dramatization of complex rhetorical principles. [9]
A common feature of rhetoric in the grand style is the use of a repeated pattern, often emphasizing a word or phrase; this can be in the form of anaphora (Greek for 'carrying back') whereby the beginning of a series of clauses are repeated: