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Eels included the song on their live album Oh What a Beautiful Morning (2000). [8] James Taylor recorded the song in 2008 and released it as a bonus track on his album Covers (2008) and also on his album Other Covers (2009). [9] [10] Sharon, Lois & Bram recorded a version and performed it on their television program, Sharon, Lois & Bram's ...
One Morning in May" (Roud 140, Laws P14) is an English folk song which has been collected from traditional singers in England and the USA and has also been recorded by revival singers. Through the use of double-entendre , at least in the English versions, it tells of an encounter between a grenadier (or soldier) and a lady.
Early One Morning" (Roud V9617) is an English folk song with lyrics first found in publications as far back as 1787. [1] A broadside ballad sheet in the Bodleian Library , Oxford, dated between 1828 and 1829 [ 2 ] has the title "The Lamenting Maid" and refers to the lover leaving to become a sailor.
He described the lyrics of the song as being "about staying up all night". [3] In a 2021 interview, Sice said that "Wake Up Boo!" was "about grabbing the last of summer while you can", and described it as a reflection of Carr's personality: "He can be very up and ebullient – 'Wake up, it’s a beautiful morning' – and then he can have that ...
"A Beautiful Morning" is a song written by Felix Cavaliere and Eddie Brigati and recorded by the Rascals. Released in early 1968, it was the group's first track released after shortening their name from the Young Rascals. The single was one of the earliest released in stereo, as 7-inch singles generally were in mono. [3]
"Softly, as in a Morning Sunrise" is a song with music by Sigmund Romberg and lyrics by Oscar Hammerstein II and Frank Mandel from the 1928 operetta The New Moon. One of the best-known numbers from the show, it is a song of bitterness and yearning for a lost love, sung in the show by Philippe (tenor), the best friend of the hero, Robert Mission ...
"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, [2] first heard on his 1965 LP, Manteca!, Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years, [3] would provide fertile ground for ...
The title was borrowed from the book of the same title by Angela Davis, rephrasing the closing line of James Baldwin's letter to her of November 19, 1970: "...if they take you in the morning, they will be coming for us that night". From its first line the song attacks unjust law in the forms of "apartheid, internment, conscription, partition ...