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Historical style guides before the 20th century typically indicated that wider spaces were to be used between sentences. [3] Standard word spaces were about one-third of an em space, but sentences were to be divided by a full em-space. With the arrival of the typewriter in the late 19th century, style guides for writers began diverging from ...
Here are some definitions of French spacing: "Additional space at the ends of sentences is called 'French Spacing.' It is a very old practice, having been commonplace in books up through the 19th century" [7] "Adding two spaces after a period is called French spacing. French spacing was quite common in books before the 19th century.
If a standard word space is inserted after a full point or a comma, then, optically, this produces a space of up to 50% wider than that of other word spaces within a line of type. This is because these punctuation marks carry space above them, which, when added to the adjacent standard word spaces, combines to create a visually larger space ...
In Latin, spaces and interpuncts came often to be dropped in favor of scriptio continua, and were not used to separate words again until roughly AD 600–800. Word spacing was later used by Irish and Anglo-Saxon scribes, beginning after the creation of the Carolingian minuscule by Alcuin of York and the scribes
Word spacing in typography is space between words, as contrasted with letter-spacing (space between letters of words) and sentence spacing (space between sentences). Typographers may modify the spacing of letters or words in a body of type to aid readability and copy fit, or for aesthetic effect.
Initially, Latin texts commonly marked word divisions by points, but later on the Romans came to follow the Greek practice of scriptio continua. [3] Before and after the advent of the codex, Latin and Greek script was written on scrolls by slave scribes. The role of the scribes was to simply record everything they heard to create documentation.
A typical example might be the two spaces after a period-sign for US typewriters, or the space-before-{colon, exclamation mark, question mark} typical for French typists. Another example, relevant for me, is the process of inserting a carriage-return in a paragraph.
Note wider spacing of the word gesperrt ("letterspaced"). Another means of emphasis is to increase the spacing between the letters, rather than making them darker, but still achieving a distinction in blackness. This results in an effect reverse to boldface: the emphasized text becomes lighter than its environment.