Search results
Results from the WOW.Com Content Network
The Congklak Gameboard from Indonesia c. 1900. Southeast Asian mancalas are a subtype of mancala games predominantly found in Southeast Asia. They are known as congkak in Malaysia; congklak (VOS Spelling: tjongklak), congkak, congka, and dakon in Indonesia and Brunei; and sungkâ in the Philippines. They differ from other mancala games in that ...
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
[2] The term a prima vista is also used, as Italian words and phrases are commonly used in music and music notation. To play a musical piece a prima vista means to play it 'at first sight'. According to Payne, "the ability to hear the notes on the page is clearly akin to music reading and should be considered a prerequisite for effective ...
Carnatic music terms are briefly described in this page. Major terms have their own separate article pages, while minor terms are defined / described here. The order of terms is from basic to related terms, rather than alphabetic.
A similar practice to notes inégales occurs from the 20th century to the present day, in jazz, although the term "swung note" is used by jazz musicians and listeners. Indeed, it is so universally understood that a stream of eighth notes is to be rendered unequally that the phrase "straight eighths" is used whenever a jazz arranger wants a ...
Voice exchange is also used in Schenkerian analysis to refer to a pitch class exchange involving two voices across registers, one of which is usually the bass. In this sense, it is a common secondary structural feature found in the music of a wide variety of composers. [12]
For example, Berklee Music Theory - Book 2 recommends the following accompaniment for a given lead sheet, [2] while this progression does not occur in common practice theory since all the chords are seventh chords and unprepared dissonant. Accompaniment acceptable in the Berklee method [2] but not in common practice theory. Play ⓘ