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" Nkosi Sikelel' iAfrika" (Xhosa pronunciation: [ŋkʼɔsi sikʼɛlɛl‿iafrikʼa], lit. ' Lord Bless Africa ' ) is a Christian hymn composed in 1897 by Enoch Sontonga , a Xhosa clergyman at a Methodist mission school near Johannesburg .
Nkosi Sikelel' iAfrika" was composed by a Methodist school teacher named Enoch Sontonga in 1897. It was first sung as a church hymn but later became an act of political defiance against the apartheid regime. The South African government adopted both songs as dual national anthems in 1994, when they were performed at Nelson Mandela's ...
Enoch Mankayi Sontonga (c. 1873 – 18 April 1905) was a South African composer, who is best known for writing the Xhosa hymn "Nkosi Sikelel' iAfrika" (English: "God Bless Africa"), which, in abbreviated version, has been sung as the first half of the national anthem of South Africa since 1994.
In 1973, having used "Nkosi Sikeleli Africa" for over 9 years, it was decided that new lyrics set to the tune of "Nkosi Sikelel' iAfrika" would be needed for Zambia's national anthem. A national competition was held for the new words. However, none of the entries were deemed good enough to be used in full for the anthem.
Today, "Nkosi Sikelel' iAfrika" is part of the national anthem of South Africa. The formerly illegal lyrics—"Nkosi sikelela, thina lusapho lwayo"—are now often sung when "Weeping" is recorded or performed. In 1999, "Weeping" was voted "All-time favorite South African Song" by the readers of the South African Rock Encyclopedia. [4]
"Nkosi Sikelel’ iAfrika" Description "Nkosi Sikelel' iAfrika" performed at the White House in 1994.oga English: The national anthem of South Africa performed at the White House in October 1994.
This is the first known recording of the hymn Nkosi Sikelel iAfrika, which today forms part of the South African National Anthem. Audio from South African Music Archive Project. Archive papers comprising biographical material, papers, notes, correspondence and photographs of Solomon Tshekisho Plaatje:
Although Boom Shaka was seen as apolitical in comparison to music of the apartheid era, they were still able to stir controversy in other ways. In 1997, the group caused controversy by creating and performing a kwaito version of the South African national anthem "Nkosi Sikelel' iAfrika" at the South African Music Awards. Reactions to the ...
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