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John 11 is the eleventh chapter of the Gospel of John in the New Testament of the Christian Bible. It records the raising of Lazarus from the dead , a miracle of Jesus Christ , and the subsequent development of the chief priests' and Pharisees' plot against Jesus. [ 1 ]
This week may correspond to the first week in John 1:19–2:1 and the last week before his death in John 12:1–19:31 [3] The doors were again "locked",(Greek perfect verb: κεκλεισμένων; same as in John 20:19) indicating the continuous fear among the disciples, [2] but Jesus could enter and be in their midst. [3]
The majority of scholars see four sections in the Gospel of John: a prologue (1:1–18); an account of the ministry, often called the "Book of Signs" (1:19–12:50); the account of Jesus's final night with his disciples and the passion and resurrection, sometimes called the Book of Glory [33] or Book of Exaltation (13:1–20:31); [34] and a ...
The statement in John 14:26: "the Holy Spirit, whom the Father will send in my name" is within the framework of the "sending relationships" in John's gospel. [15] In John 9:4 (and also 14:24 ) Jesus refers to the father as "him that sent me", and in John 20:21 states "as the Father hath sent me, even so send I you" where he sends the disciples.
Changing water into wine at Cana in John 2:1–11 – "the first of the signs" Healing the royal official's son in Capernaum in John 4:46–54; Healing the paralytic at Bethesda in John 5:1–15; Feeding the 5000 in John 6:5–14; Jesus walking on water in John 6:16–24; Healing the man blind from birth in John 9:1–7; The raising of Lazarus ...
The evidence that the pericope, although a much-beloved story, does not belong in the place assigned it by many late manuscripts, and, further, that it might not be part of the original text of any of the gospels, caused the Revised Version (1881) to enclose it within brackets, in its familiar place after John 7:52, with the sidenote, "Most of ...
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Thomas has shown his difficulties to understand Jesus in John 11:16 and John 14:15, and this time he hesitated when confronted with the resurrection account. [3] Thomas' emphatic disbelief of the disciples' testimony intensified his resolution to seek physical evidence to convince him that the risen Jesus was the Jesus he had known. [ 4 ]
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