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Contemporary worship music (CWM), also known as praise and worship music, [1] is a defined genre of Christian music used in contemporary worship. It has developed over the past 60 years and is stylistically similar to pop music. The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band ...
Contemporary worship music takes a significant part of the service time and repetition of phrases reinforces the theological content of the service. The impact is heightened as creeds and formal prayers are seldom used. Theologically, contemporary worship music is influenced by Pentecostal and evangelical theologies.
Contemporary worship music is also incorporated in modern CCM. Contemporary worship is both recorded and performed during church services. [citation needed] In the 2000s, contemporary worship music with a distinctly theological focus has emerged, primarily in the Baptist, Reformed and more traditional non-denominational branches of Protestant ...
Like other forms of music the creation, performance, significance and even the definition of Christian music varies according to culture and social context. Christian music is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes or with a positive message as an entertainment product for the ...
Many churches today use contemporary worship music which includes a range of styles often influenced by popular music. This style began in the late 1960s and became very popular during the 1970s. A distinctive form is the modern, lively black gospel style.
David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."
Contemporary worship music, a long time staple of the industry, began to gain significant market share in about the year 2000. [22] [23] By focusing on marketing worship music to youth culture, this genre became a growth driver despite the downturn in the general music industry. [24] [25] [26] [27]
This long tradition has resulted in a wide variety of hymns. Some modern churches include within hymnody the traditional hymn (usually describing God), contemporary worship music (often directed to God) and gospel music (expressions of one's personal experience of God). This distinction is not perfectly clear; and purists remove the second two ...
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