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"The pen is mightier than the sword" is an expression indicating that the written word is more effective than violence as a means of social or political change. This sentiment has been expressed with metaphorical contrasts of writing implements and weapons for thousands of years.
The pen is mightier than the sword; Pen and Sword Books; By Pen and Sword, a 1963 novel by Russian writer Valentin Pikul; The Chinese four-character idiom 文武雙全 ( wén [literature] wǔ [military] shuāng quán [have both]; simplified: 武双全) is commonly translated as "to be good at both the arts of writing and fighting/warring"; "to be master of pen and sword"; "to be well-versed in ...
Maud Muller marries a young uneducated farmer. Throughout the rest of their lives, each remembers the day of their meeting and remorsefully reflects on what might have been. This poem contains the well-known quotation: "For of all sad words of tongue or pen, The saddest are these: 'It might have been!'"
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The text gained increased exposure and popularity after being circulated around the Internet, [18] and has served as inspiration for some inventors of Germanic English conlangs. Douglas Hofstadter , in discussing the piece in his book Le Ton beau de Marot , jocularly refers to the use of only Germanic roots for scientific pieces as "Ander-Saxon."
The Pen (Arabic: القلم, al-qalam), or Nūn (Arabic: نٓ) is the sixty-eighth chapter of the Qur'an with 52 verses . Quran 68 describes God 's justice and the judgment day . Three notable themes of this Surah are its response to the opponents' objections, warning and admonition to the disbelievers, and exhortation of patience to the ...
Might Is Right or The Survival of the Fittest is a book by pseudonymous author Ragnar Redbeard, generally believed to be a pen name of Arthur Desmond. First published in 1896, [ 1 ] it advocates amorality , consequentialism , and psychological hedonism .
English ladies were often taught an "Italian hand", suitable for the occasional writing that they were expected to do. [4] Grace Ioppolo notes [ 2 ] that the convention in writing the texts of dramas was to write act and scene settings, characters' names and stage directions in italic, and the dialogue in secretary hand.