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Therefore, Bianchi turned to large industrial groups Fiat and Pirelli with a proposal to form a new company to produce automobiles. Thus, the Autobianchi company was born, with the agreement signed by the three parties on 11 January 1955, and share capital of 3 million lira, 33% of which belonged to the Bianchi family. A new, modern, purpose ...
This is a complete list of the operas of the Italian composer Francesco Bianchi (1752–1810). Bianchi had an extraordinarily varied career, working in different places, in different styles with different collaborators.
Bianchi from late 1980s with Cro-Mo frame and 2×8 Shimano Dura Ace . Since May 1997, the company has been part of Cycleurope Group, which is owned by the Swedish company of Grimaldi Industri AB. Bianchi and Ferrari announced in July 2017, a partnership to produce a new range of 'high-end' models. The SF01 was their first collaboration bike.
Autobianchi Primula at National Automobile Museum, Turin. Initially, the Primula was fitted with the 1221 cc engine from the Fiat 1100 D (for the coupé it was uprated to 65 hp (48 kW)), but in 1968 it was replaced with Fiat 124 engines—the berlinas received the 1197 cc 60 hp (45 kW) engine from the standard versions, while the coupé was fitted with the more powerful 1438 cc 70 hp (52 kW ...
Francesco Bianchi. Giuseppe Francesco Bianchi (1752 – 27 November 1810) was an Italian opera composer.Born in Cremona, Lombardy, he studied with Pasquale Cafaro and Niccolò Jommelli, [1] and worked mainly in London, Paris and in all the major Italian operatic centers of Venice, Naples, Rome, Milan, Turin, Florence.
The Autobianchi Bianchina is a minicar produced by the Italian automaker Autobianchi, based on the Fiat 500's chassis and mechanicals. It was available in various configurations: Berlina (saloon), Cabriolet (roadster), Trasformabile (fixed profile convertible), Panoramica (station wagon), and Furgoncino (van).
A musical-theatre adaptation, Flowers for Mrs Harris, with book by Rachel Wagstaff and music and lyrics by Richard Taylor, was produced by Sheffield Theatres in May 2016, directed by Daniel Evans, having been originally commissioned by Vicky Graham Productions.
A popular Italian genre during this period, the Telefoni Bianchi, consisted of comedies with glamorous backgrounds. [40] Calligrafismo was instead in a sharp contrast to Telefoni Bianchi-American style comedies and is rather artistic, highly formalistic, expressive in complexity, and deals mainly with contemporary literary material. [41]