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Parade de cirque (English: Circus Sideshow) is an 1887-88 Neo-Impressionist painting by Georges Seurat.It was first exhibited at the 1888 Salon de la Société des Artistes Indépendants (titled Parade de cirque, cat. no. 614) in Paris, where it became one of Seurat's least admired works.
The axes painted by Seurat do not correspond precisely to the golden section, 1 : 1.6, as might have been expected (yellow lines, so1 - so4). Rather, the axes painted in the composition correspond to basic mathematical divisions (simple ratios that appear to approximate the golden section). See Parade de cirque (Circus Sideshow) and citations ...
The painting was Seurat's third major work treating the theme of the circus, after his Parade (Circus sideshow) of 1887–88 and Le Chahut of 1889–90. It depicts a female performer standing on a horse at the Circus Fernando (renamed the Circus Médrano in 1890, after its most famous clown).
Georges Seurat first studied art at the École Municipale de Sculpture et Dessin, near his family's home in the boulevard Magenta, which was run by the sculptor Justin Lequien. [ 12 ] [ 13 ] In 1878, he moved on to the École des Beaux-Arts where he was taught by Henri Lehmann , and followed a conventional academic training, drawing from casts ...
Credit line: bequest of Stephen C. Clark, 1960: References: Georges Seurat catalogue raisonné, 1972, 188 ; The Met object ID: 437654 ; Google Arts & Culture asset ID: TQFJqSCHs_fzqg
Portrait of Seurat by Maximilien Luce. This is a list of notable paintings by Georges Seurat (2 December 1859 - 29 March 1891). He is a Neo-Impressionist painter and together with Paul Signac noted for being the inventor of pointillism. [1] The listing follows the 1980 book Georges Seurat and uses its catalogue numbers. [2]
Megan Davidhizar received two rubber ducks from her students during her first year teaching high school freshmen 16 years ago. She displayed them on her desk and other students saw the ducks and ...
In their eyes, Seurat had "taken a fundamental step toward Cubism by restoring intellect and order to art, after Impressionism had denied them" (Robert Herbert, 1968). [20] The golden section does not govern Georges Seurat's Parade de Cirque (Circus Sideshow) geometric structure. Modern consensus is that Seurat never used the 'divine proportion'.
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