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Caribou in soapstone by Osuitok Ipeelee, Dennos Museum Center. Inuit sculptures had been produced prior to contact with the Western world. They were small-scale and made of ivory. In 1951, James Houston encouraged Inuit in Kinngait to produce stone carvings. [24] It was mostly men who took up carving.
Avaalaaqiaq Tiktaalaaq began her art career between 1969 and 1970 with small soapstone carvings, often of animals with human heads. [5]Her works are part of the collections at the National Gallery of Canada, the Winnipeg Art Gallery, the Baltimore Museum of Art, and the Macdonald Stewart Art Centre and the College of William and Mary in Virginia.
Inukpuk’s wife, Mary, had a hare-lip, which he depicted in several of his sculptures of mother-and-child. The drilled eyes of his earlier works were eventually replaced by soapstone and ivory inlay; black eyes were made from melted vinyl records. [3] In 1953, Inukpuk began carving green stone.
Angutitok used soapstone, ivory and whalebone in her art. Some of her sculptures portray scenes from the Bible; she was encouraged by Father Bernie Franzen. She also created sculptures of female figures. [1] In 2002, Canada Post created a Christmas stamp based on her sculpture Mary and Child. [2] [5]
1986: Carved an Inukshuk for the first Native Business Summit at the Toronto Convention Centre. [3] 1989: Appointed to UNESCO's Canadian Committee for the World Decade of Cultural Development. [3] 2000 - appointed to the Sculptors' Society of Canada, the first Inuk artist to be elected. [3] 2022 - Governor General's Awards in Visual and Media ...
The qulliq, a type of oil lamp, is carved out of soapstone and used by the Inuit and Dorset peoples. [13] The soapstone oil lamps indicate these people had easy access to oils derived from marine mammals. [14] In the modern period, soapstone is commonly used for carvings in Inuit art. [15]
The qulliq [1] or kudlik [2] (Inuktitut: ᖁᓪᓕᖅ, romanized: qulliq, IPA:; Greenlandic: qulleq; Inupiaq: naniq), is the traditional oil lamp used by many circumpolar peoples, including the Inuit, the Chukchi [3] and the Yupik peoples. [4] The fuel is seal-oil or blubber, and the lamp is made of soapstone. [5]
The guild, which had tried as early as the 1920s to foster an Inuit-handicrafts market, was impressed with the carving; they were equally impressed by Houston. The guild secured a federal government grant of $1,100 and sent Houston back north in the summer of 1949 to make bulk purchases in various communities in the Eastern Arctic.
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