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On 30th August 2024, he achieved a historic rating of 4009 on Codeforces, becoming the first to break the 4000 barrier. [6] He was the highest-rated programmer on Codeforces [7] until 20 January 2024. As of 2025, he works as a software engineer at Ramp. [8]
Pinball Number Count (or Pinball Countdown) is a collective title referring to 11 one-minute animated segments on the children's television series Sesame Street that teach children to count to 12 by following the journey of a pinball through a fanciful pinball machine.
Codeforces (Russian: Коудфорсес) is a website that hosts competitive programming contests. [1] It is maintained by a group of competitive programmers from ITMO University led by Mikhail Mirzayanov. [2] Since 2013, Codeforces claims to surpass Topcoder in terms of active contestants. [3] As of 2019, it has over 600,000 registered users ...
The order in which the year, month, and day are represented. (Year-month-day, day-month-year, and month-day-year are the common combinations.) How weeks are identified (see seven-day week) Whether written months are identified by name, by number (1–12), or by Roman numeral (I-XII). Whether the 24-hour clock, 12-hour clock, or 6-hour clock is ...
11 o'clock number is a theatre term for a big, show-stopping song that occurs late in the second act of a two-act musical, ... this song would occur around 11:00 p.m. [2]
Swift kicked off the European leg of her “Eras Tour” May 9 in Paris, fresh on the heels of releasing her 11th album, “The Tortured Poets Department,” on April 29. While the setlist saw ...
It used to be that it was considered a Herculean feat if artists dug into their back catalogs to recreate two, three or even four classic albums in their entirety for a run of back-to-back concerts.
During the first half of the 1980s, "11 O'Clock Tick Tock" was one of U2's most popular live songs and it appears on the 1983 live LP Under a Blood Red Sky and concert film Live at Red Rocks: Under a Blood Red Sky. On U2's early tours, it was often played twice due to a lack of material – once early in the concert, and then during the encore.