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The New Wave (French: Nouvelle Vague, French pronunciation: [nuvɛl vaɡ]), also called the French New Wave, is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm .
New Hollywood, music videos, French New Wave Cinéma du look ( French: [sinema dy luk] ) was a French film movement of the 1980s and 1990s, analysed, for the first time, by French critic Raphaël Bassan in La Revue du Cinéma issue no. 449, May 1989, [ 1 ] in which he classified Luc Besson , Jean-Jacques Beineix and Leos Carax as directors of ...
This is a list of movements in cinema. Throughout the history of cinema, groups of filmmakers, critics, and/or theorists formed ideas about how films could be made, and the theories they generated, along with the films produced according to those theories, are called movements.
The New Wave, French New Wave, or Nouvelle Vague, the inaugural New Wave cinema movement; Australian New Wave; Indian New Wave, or Parallel cinema; Japanese New Wave, or Nuberu Bagu, which also developed around the same time as the French Nouvelle Vague; Persian New Wave, or Iranian New Wave, started in the 1960s; New German Cinema, new wave of ...
Le Beau Serge (French pronunciation: [lə bo sɛʁʒ], literal English translation: "Handsome Serge") is a 1958 French film directed by Claude Chabrol.It has been cited as the first product of the Nouvelle Vague, or French New Wave, film movement.
Jean-Luc Godard was born on 3 December 1930 [16] in the 7th arrondissement of Paris, [17] the son of Odile (née Monod) and Paul Godard, a Swiss physician. [18] His wealthy parents came from Protestant families of Franco–Swiss descent, and his mother was the daughter of Julien Monod, a founder of the Banque Paribas.
Raoul Coutard (16 September 1924 – 8 November 2016) [1] was a French cinematographer.He is best known for his connection with the French New Wave (Nouvelle Vague) period and particularly for his work with director Jean-Luc Godard, which includes Breathless (1960), A Woman Is a Woman (1961), Vivre sa vie (1962), Bande à part (1964), Alphaville, Pierrot le Fou (both 1965), and Weekend (1967).
Jacques Rozier (French: [ʒak ʁozje]; 10 November 1926 – 31 May 2023) was a French film director and screenwriter. He was one of the lesser-known members of the French New Wave movement and has collaborated with Jean-Luc Godard. Three of his films have been screened at the Cannes Film Festival. [1] In 1978, he was a member of the jury at the ...