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The term “pegging” was first coined by Dan Savage all the way back in 2001 to describe when a cisgender man is penetrated by a partner who is a cis-female using a strap-on. But as attitudes ...
The specific term "doing gender" was used in Candace West and Don Zimmerman's article by the same title, originally written in 1977 but not published until 1987. [2] In the article, West and Zimmerman illustrate that gender is performed in interactions, and that behaviors are assessed based on socially accepted conceptions of gender.
Pegging may refer to: Pegging (sexual practice) Pegging (cribbage) Pegging report, a manufacturing record; Tight rolled pants (pegged pants), in fashion; The act of setting a fixed exchange rate between two currencies; The act of demarcating a mining claim
(In other words, pegging is not exclusive to women nor receiving it exclusive to men.) There's a broad consensus in the medical and psychiatric sciences that people with vaginas (i.e., potential users of a pegging dildo) may not identify with the socially-constructed gender identity of "woman," for example because they are transgender or ...
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
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Hand in Hand Films was established in 1972 as the East Coast's first gay film studio just as U.S. audiences in metropolitan areas had a sudden curiosity for X-rated film entertainment, driven by the commercial success of Wakefield Poole's landmark 1971 gay film "Boys in the Sand" and the mainstream popularity of 1972 straight film "Deep Throat."
Fred Charles Halsted (July 20, 1941 – May 9, 1989) was an American gay pornographic film director, actor, escort, publisher, and sex club owner. His films Sex Garage and L.A. Plays Itself are the only gay pornographic movies in the permanent collection of the Museum of Modern Art, where they were screened before a capacity audience on April 23, 1974.