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Victorian decorative arts. Dante Gabriel Rossetti 's drawing room at No. 16 Cheyne Walk, 1882, by Henry Treffry Dunn. Victorian decorative arts refers to the style of decorative arts during the Victorian era. Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and ...
Chalking the door. Epiphany season door chalking on an apartment door in Germany. A Christmas wreath adorning a home, with the top left-hand corner of the front door chalked for Epiphany-tide and the wreath hanger bearing a placard of the archangel Gabriel. Chalking the door is a Christian Epiphanytide tradition used to bless one's home, [1 ...
Millefiori (Italian: [ˌmilleˈfjoːri]) is a glasswork technique which produces distinctive decorative patterns on glassware. The term millefiori is a combination of the Italian words "mille" (thousand) and "fiori" (flowers). [1] Apsley Pellatt in his book Curiosities of Glass Making was the first to use the term "millefiori", which appeared ...
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The coloured glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design.
Figural glass Christmas ornaments originated in the small town of Lauscha, Germany in the latter half of the 19th century. [21] The town had long produced fine glassware. The production of Christmas ornaments became a family affair for many people. Some families invested 16 hours a day in production. For some, it was their sole source of income.
Christmas traditions include a variety of customs, religious practices, rituals, and folklore associated with the celebration of Christmas. Many of these traditions vary by country or region, while others are practiced virtually identically worldwide. Traditions associated with the Christmas holiday are diverse in their origins and nature, with ...
Ornament in the Roman empire utilized a diverse array of styles and materials, including marble, glass, obsidian, and gold. Roman ornament, specifically in the context of Pompeii, has been studied and written about by scholar Jessica Powers in her book chapter "Beyond Painting in Pompeii's Houses: Wall Ornaments and Their Patrons."