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The plate shown in the illustration (left) is decorated, using transfer printing, with the famous willow pattern and was made by Royal Stafford; a factory in the English county of Staffordshire. Such is the persistence of the willow pattern that it is difficult to date the piece shown with any precision; it is possibly quite recent but similar ...
[2] [3] Alfred Meakin operated from the Royal Albert, Victoria, and Highgate Potteries in Tunstall [4] and later acquired the Newfield Pottery and the Furlong Mill. [ 1 ] [ 5 ] The company was known for its ironstone china and white granite ware, which were exported to many countries, especially the USA.
"Potter's attendant Ken Russell stacks plates into the drying oven", 1942. J & G Meakin had close family and corporate affiliations to the potteries Johnson Brothers, and Alfred Meakin Ltd, which explains why many patterns are similar, if not almost exactly the same. There was a takeover by J. & G. Meakin in 1968 of Midwinter Pottery.
Serving plate with flow blue transfer printing, c. 1890 Two versions of the "Britannia" lavatory bowl, 1890s - 1905. Johnson Brothers was a British tableware manufacturer and exporter that was noted for its early introduction of "semi-porcelain" tableware.
Davenport Pottery was an English earthenware and porcelain manufacturer based in Longport, Staffordshire. [1] It was in business, owned and run by the Davenport family, between 1794 and 1887, making mostly tablewares in the main types of Staffordshire pottery .
The trees are enameled in red (coral) orange and yellow. Cliff produced a colourway variation on this by simply changing the trees to shades of blue and pink, and this was then called Rudyard after a local Staffordshire beauty spot. Coffee pot designed by Clarice Cliff, part of the 'Conical' series, with the rare 'Blue and White' pattern, circa ...
Spode is an English brand of pottery and homewares produced in Stoke-on-Trent, England.Spode was founded by Josiah Spode (1733–1797) in 1770, and was responsible for perfecting two important techniques that were crucial to the worldwide success of the English pottery industry in the 19th century: transfer printing on earthenware and bone china.
Undecorated tableware was most popular in the United States, and British potteries produced white ironstone ware, known as "White Ironstone" or "White Granite" ware, for the American market. During the mid-19th century it was the largest export market for Staffordshire's potteries. [ 20 ]
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