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The EQP-1 is a passive equalizer with a tube amplifier stage that restores the gain lost from the passive EQ, making it practical for use in broadcast and recording. [5]Its low frequency section is a shelving EQ with three selectable frequency bands at 30, 60, and 100 Hz which can be simultaneously boosted or attennuated.
The other technique used with Dynagroove was a dynamic equalizer, which varied the tonal quality of the recording according to the loudness of the sound. Loud passages were reproduced with little tonal change, but softer passages had boosted lows and highs.
Please correct. |date=February 2025}} The amplifier brand strongly identified with this new, 'scooped' sound (with strong bass and treble boost and mid-cut) was Trace Elliot. There were several features which made their amplifiers unique: the GP11 pre-amp featured 11 graphic EQ bands which were very broad bands, overlapping each other, thereby ...
Stereo 31-band 1/3-octave graphic equalizer for use in sound reinforcement applications. In the graphic equalizer, the input signal is sent to a bank of filters. Each filter passes the portion of the signal present in its own frequency range or band. The amplitude passed by each filter is adjusted using a slide control to boost or cut frequency ...
A typical sound reinforcement system consists of; input transducers (e.g., microphones), which convert sound energy such as a person singing into an electric signal, signal processors which alter the signal characteristics (e.g., equalizers that adjust the bass and treble, compressors that reduce signal peaks, etc.), amplifiers, which produce a ...
The preamp gain on the Mark IIs occurs after the tone controls and so, according to Mesa/Boogie, the IIA has a "tighter, more focused sound" than the Mark I. [citation needed] The Mark IIA's control panel was extended from the Mark I's to include a separate master volume control for the lead mode, and various push/pull switches including Pull ...
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