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In drama, particularly the tragedies of classical antiquity, the catastrophe is the final resolution in a poem or narrative plot, which unravels the intrigue and brings the piece to a close. In comedies, this may be a marriage between main characters ; in tragedies, it may be the death of one or more main characters.
As with other literary terms, these have come about gradually as descriptions of common narrative structures. Conflict was first described in ancient Greek literature as the agon, or central contest in tragedy. [3] According to Aristotle, in order to hold the interest, the hero must have a single conflict. The agon, or act of conflict, involves ...
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. [1] Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience.
Kullervo, a tragic hero from the Karelian and Finnish Kalevala. The influence of the Aristotelian hero extends past classical Greek literary criticism.Greek theater had a direct and profound influence on Roman theater and formed the basis of Western theater, with other tragic heroes including Macbeth in William Shakespeare's The Tragedy of Macbeth, and Othello in his Othello. [4]
The first act is usually used for exposition, to establish the main characters, their relationships, and the world they live in.Later in the first act, a dynamic, on-screen incident occurs, known as the inciting incident, or catalyst, that confronts the main character (the protagonist), and whose attempts to deal with this incident lead to a second and more dramatic situation, known as the ...
Much like the characters in the plays must fulfill their contracts, he argues, Shakespeare fulfills his contract as a playwright by providing resolution. [4] Though Harmon's conception of the problem-plays does not align with the common understanding of Shakespeare's problem-plays, he does provide examples of the social dilemmas that ...
Shakespeare, as was customary for other playwrights in his day, used history, other plays, and non-dramatic literature as sources for his plays. Additionally, tragedy was a new and exciting theatrical phenomenon in the late 16th century, rather than an established and self-evident dramatic form; because of this, Shakespeare and his ...
In classical drama, the epitasis (Ancient Greek: ἐπίτασις) is the main action of a play, in which the trials and tribulations of the main character increase and build toward a climax and dénouement.