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Femme Fatale is the thirteenth studio album by Japanese singer Akina Nakamori.It was released on 3 August 1988 under the Warner Pioneer label. The album consist mainly of western arrangers that evokes to the listeners the danceable melody line in western style, which was not so well common and popular in Japan during late 80s.
The song was composed in the key of C major. [4] At the request of Andy Warhol, band frontman Lou Reed wrote the song about Warhol superstar Edie Sedgwick. According to Reed, the title was inspired by Warhol saying, about Sedgwick, "Oh, don't you think she's a femme fatale, Lou?" [5] [6] The song was recorded with vocals by Nico. [1]
Femme Fatale is the debut studio album by American hard rock band Femme Fatale, released in 1988 through MCA Records. It peaked at No. 141 on the Billboard 200 the following year. [2] The song "Touch and Go" was featured on the soundtrack of the 1988 film License to Drive. The CD was reissued in September 2022 by Rock Candy Records with 4 bonus ...
Femme Fatale is the fourth studio album by American R&B/jazz singer Miki Howard. Released in 1992 under Giant Records, the album peaked at No. 110 on the US Billboard 200 and No. 7 on Billboard's Top R&B Albums chart. The first single from the album, "Ain't Nobody Like You", reached No. 1 on the R&B Singles chart, her second number one on the ...
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Exit Eden is a symphonic metal supergroup that performs cover versions of well-known pop and rock songs, as well as releasing original songs (starting with their second album "Femmes Fatales"). History
Later in the process, the band added two more tracks to the album: a cover of the Velvet Underground's "Femme Fatale" and "Come Undone", featuring backing vocals from Tessa Niles. [5] "Femme Fatale" was done at the suggestion of Cuccurullo's friend Frank Zappa. [5] By the time "Come Undone" was recorded in 1992, most of the album had been ...
On September 26, 2011, the song debuted at number forty on the US Billboard Pop Songs. [34] On the chart issue of November 19, 2011, it peaked at number nineteen. [35] Promotion for the single release was minimal, with no live performances either on TV or on the Femme Fatale Tour. To date, the song has never been performed live.